Thomas Kinkade is a polarizing figure. His art is beloved and hated. Some see the art as picturesque and hearkening back to a simpler time. Others see his art as gaudy and outlandish with terrible lighting effect. Whatever your own view, it must be admitted that an artist with paintings in thousands upon thousands of homes is vastly more influential than most. Here, we will examine Thomas Kinkade’s art from a few different angles.
The image featured in this post, “Sunday Evening Sleigh Ride,” exhibits a number of features of Kinkade’s art. Light is featured prominently. It is used in a kind of spiritual fashion–its warmth beckons from the church to the cold, snow-covered land around it. The viewer’s attention is not upon the sleigh itself, because the light is centered upon the place of worship: the church. Note also the fish symbol displayed above Kinkade’s signature. The image is one of familiarity–particularly for those who are most assuredly Kinkade’s audience: broadly mainstream protestants. Continue reading →